CV
Studies
2022 - 2023
Independent Studies Program in Art and Visual Culture,
Estudios Independientes V (www.estudiosindependientesv.com︎︎︎).
2015-2020 Bachelor in Arts, Pontificia Universidad Católica de Chile.
Artist Residencies
2025 HANGAR Artists Residency, Lisboa, Portugal, January 2025.
+ Experience
2024 VIENAL’s Coordinator organized by Estudios Independientes V, Centro Cultural Matucana 100, Museo de Arte Contemporáneo Quinta Normal, Museo de la Memoria y los Derechos Humanos, Museo de la Educación Grabriela Mistral, Biblioteca de Santiago, Artequin, january-march. Santiago, Chile.
2023 Collaborating artist for Tania Bruguera‘s Magnitud 11.9 , Museo de la Solidaridad Salvador Allende, october 23‘-january 24‘. Santiago, Chile.
2017-2018-2019 Painting courses’ assistant, Art School, Pontificia Universidad Católica de Chile.
2017-2018 Creation and research assistant for the project La Minga de Apiao by Francisco Schwember. Chiloé, Chile.
2017 Francisco Schwember’s assistant (chilean artist)
2014 Paula Lynch’s assistant (chilean artist)
2022 - 2023
Independent Studies Program in Art and Visual Culture,
Estudios Independientes V (www.estudiosindependientesv.com︎︎︎).
2015-2020 Bachelor in Arts, Pontificia Universidad Católica de Chile.
Artist Residencies
2025 HANGAR Artists Residency, Lisboa, Portugal, January 2025.
+ Experience
2024 VIENAL’s Coordinator organized by Estudios Independientes V, Centro Cultural Matucana 100, Museo de Arte Contemporáneo Quinta Normal, Museo de la Memoria y los Derechos Humanos, Museo de la Educación Grabriela Mistral, Biblioteca de Santiago, Artequin, january-march. Santiago, Chile.
2023 Collaborating artist for Tania Bruguera‘s Magnitud 11.9 , Museo de la Solidaridad Salvador Allende, october 23‘-january 24‘. Santiago, Chile.
2017-2018-2019 Painting courses’ assistant, Art School, Pontificia Universidad Católica de Chile.
2017-2018 Creation and research assistant for the project La Minga de Apiao by Francisco Schwember. Chiloé, Chile.
2017 Francisco Schwember’s assistant (chilean artist)
2014 Paula Lynch’s assistant (chilean artist)
Solo exhibitions
Cleopatra visita a Kleopátra, OMA Galería, curated by Gabriel Godoi, june 2025, Santiago, Chile. Presented alongside Tira de contacto by Ignacio San Martín and Doble distancia by Eliecer Espinoza.
Prósopon Edificio Alonso, november 2022, Santiago, Chile.
Group exhibitions
El mal de la juventud, Oficina Viceversa, curated by Gabriel Godoi, june-july 2025. Santiago, Chile.
XVII Premio MAVI UC LarrainVial Arte Joven Museo de Artes Visuales MAVI, august-october 2024. Santiago, Chile.
Kiosko Museo de la Educación Gabriela Mistral, VIENAL organized by Estudios Independientes V curated by Gonzalo Pedraza, january 2024. Santiago, Chile.
Concurso Artefacto Lo Matta Cultural, august 2023. Santiago, Chile.
Motivos Personales Galería Espacio O, june-july 2023. Santiago, Chile.
V en concreta Galería Concreta Matucana 100 curated by Gonzalo Pedraza, january-march 2023. Santiago, Chile.
Al aire, libre Public art project curated by Tiago de Abreu Pinto (Brazil), may 16-17 2020. Chile.
Cuerpo/Ceniza Casa Quemada Cultural Center, november 2017. Santiago, Chile.
XXY Centro Infante 1415, june 2017. Santiago, Chile.
Fairs
FAST 1224 Palimpsesto, Feria de Arte, Arquitectura, Moda y Diseño, sección curatorial Diego Parra, Barrio Matta Sur, diciembre 2024. Santiago, Chile.
Artweek 22 Centro Cultural Santa Rosa de Apoquindo, 24-27 de noviembre 2022. Santiago, Chile.
Cleopatra visita a Kleopátra, OMA Galería, curated by Gabriel Godoi, june 2025, Santiago, Chile. Presented alongside Tira de contacto by Ignacio San Martín and Doble distancia by Eliecer Espinoza.
Prósopon Edificio Alonso, november 2022, Santiago, Chile.
Group exhibitions
El mal de la juventud, Oficina Viceversa, curated by Gabriel Godoi, june-july 2025. Santiago, Chile.
XVII Premio MAVI UC LarrainVial Arte Joven Museo de Artes Visuales MAVI, august-october 2024. Santiago, Chile.
Kiosko Museo de la Educación Gabriela Mistral, VIENAL organized by Estudios Independientes V curated by Gonzalo Pedraza, january 2024. Santiago, Chile.
Concurso Artefacto Lo Matta Cultural, august 2023. Santiago, Chile.
Motivos Personales Galería Espacio O, june-july 2023. Santiago, Chile.
V en concreta Galería Concreta Matucana 100 curated by Gonzalo Pedraza, january-march 2023. Santiago, Chile.
Al aire, libre Public art project curated by Tiago de Abreu Pinto (Brazil), may 16-17 2020. Chile.
Cuerpo/Ceniza Casa Quemada Cultural Center, november 2017. Santiago, Chile.
XXY Centro Infante 1415, june 2017. Santiago, Chile.
Fairs
FAST 1224 Palimpsesto, Feria de Arte, Arquitectura, Moda y Diseño, sección curatorial Diego Parra, Barrio Matta Sur, diciembre 2024. Santiago, Chile.
Artweek 22 Centro Cultural Santa Rosa de Apoquindo, 24-27 de noviembre 2022. Santiago, Chile.
La Casa de las Recogidas
(artists’ collective)
MORPHOLOGY (Group exhibition), Trust For Governors Island Arts’ Organization Residency curated by FOREST FOR TREES collective, may 2025, Governors Islands, NY, USA.
Attention, please scan! (Group exhibition) Sojourner Gallery curated by Zhiheng Ashely Zhang, july 2023, Soho, NYC, USA.
Develar la herida La Casa de las Recogidas exhibition, Espacio Vilches, august - september 2019. Santiago, Chile.
Colaborations La Casa de las Recogidas
Video performance Somos el visible pulso de lo posible at Cecilia Vicuña’s Soñar el Agua. Una retrospectiva del futuro (1964-),
Museo Nacional de Bellas Artes, may-sept 2023, Santiago, Chile; & Museo MALBA, dic 2023- feb 2024, Buenos Aires, Argentina.
Video performance Sobre las huellas de esta ciudad robada, september 11th, 2023. Museo de la Solidaridad Salvador Allende Collection. Exhibited at CUERPOESCULTURA, Museo La Ligua & MSSA, 2023- 2024. Chile.
Las Palabras... NO!, Textil Art Biennale, Museo de la Memoria y los Derechos Humanos, 2020. Santiago, Chile,
Colaboration at Abraham Cruzvillegas’ (México) Tautología sin título, Galería Macchina, october-december 2019. Santiago, Chile.
Ahora que sí nos ven, Martha Gregory’s microdocumental (colaboration), 2019. Santiago, Chile.
Colaborative performance with Cecilia Vicuña at La Minga OYSI opening, Galería Macchina, november 13th, 2018.
Publications La Casa de las Recogidas
ASAP/Journal, “Crossings: The Poetics of Public Inscription in the work of Lotty Rosenfeld & Cecilia Vicuña” by Allie Tepper. Volume 7, Number 2, may 2022, pp. 409-436 (Article).
Arte Al Límite, “Ahora que sí nos ven”. Performance La Casa de las recogidas at: Arte en tiempos de manifestaciones by Elisa Massardo, Cultural Critic, edition ° 97 january-march 2020.
Cuadernos de Arte. Conversation between Soledad Novoa & La Casa de Las Recogidas, UC Editions, Editors: Víctor Díaz & Paula Salas, edition N ° 24, pp. 46-67, january 2021.
Question Journal, “The Visible Pulse of the Possible: Exchanges, Protest and Possibilities in Chilean Performance Art. La Casa de Las Recogidas and Las Tesis”, by Sebastián Bustamante-Brauning, Exchange, issue 05, septiembre 2020.
(artists’ collective)
MORPHOLOGY (Group exhibition), Trust For Governors Island Arts’ Organization Residency curated by FOREST FOR TREES collective, may 2025, Governors Islands, NY, USA.
Attention, please scan! (Group exhibition) Sojourner Gallery curated by Zhiheng Ashely Zhang, july 2023, Soho, NYC, USA.
Develar la herida La Casa de las Recogidas exhibition, Espacio Vilches, august - september 2019. Santiago, Chile.
Colaborations La Casa de las Recogidas
Video performance Somos el visible pulso de lo posible at Cecilia Vicuña’s Soñar el Agua. Una retrospectiva del futuro (1964-),
Museo Nacional de Bellas Artes, may-sept 2023, Santiago, Chile; & Museo MALBA, dic 2023- feb 2024, Buenos Aires, Argentina.
Video performance Sobre las huellas de esta ciudad robada, september 11th, 2023. Museo de la Solidaridad Salvador Allende Collection. Exhibited at CUERPOESCULTURA, Museo La Ligua & MSSA, 2023- 2024. Chile.
Las Palabras... NO!, Textil Art Biennale, Museo de la Memoria y los Derechos Humanos, 2020. Santiago, Chile,
Colaboration at Abraham Cruzvillegas’ (México) Tautología sin título, Galería Macchina, october-december 2019. Santiago, Chile.
Ahora que sí nos ven, Martha Gregory’s microdocumental (colaboration), 2019. Santiago, Chile.
Colaborative performance with Cecilia Vicuña at La Minga OYSI opening, Galería Macchina, november 13th, 2018.
Publications La Casa de las Recogidas
ASAP/Journal, “Crossings: The Poetics of Public Inscription in the work of Lotty Rosenfeld & Cecilia Vicuña” by Allie Tepper. Volume 7, Number 2, may 2022, pp. 409-436 (Article).
Arte Al Límite, “Ahora que sí nos ven”. Performance La Casa de las recogidas at: Arte en tiempos de manifestaciones by Elisa Massardo, Cultural Critic, edition ° 97 january-march 2020.
Cuadernos de Arte. Conversation between Soledad Novoa & La Casa de Las Recogidas, UC Editions, Editors: Víctor Díaz & Paula Salas, edition N ° 24, pp. 46-67, january 2021.
Question Journal, “The Visible Pulse of the Possible: Exchanges, Protest and Possibilities in Chilean Performance Art. La Casa de Las Recogidas and Las Tesis”, by Sebastián Bustamante-Brauning, Exchange, issue 05, septiembre 2020.